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new products guide

October 3, 2006
new products guide. Check it out:
(Mix Via Thomson Dialog NewsEdge) Welcome to AES!

The product information in this guide was supplied by the manufacturers. Specs, prices and availability may change, so readers should contact companies directly for more information; Websites are provided for your convenience. And if you can't make it to AES in person, don't worry we'll provide complete coverage of the show highlights next month and at www.mixonline.com.



AC POWER PRODUCTS

MPATHX SMARTRACK

mPATHX introduces a SmartRack for every application! New features include 2,400-watt capacity; front panel DC, AC and USB connections; sequencing of all AC and DC receptacles; a full accessory line; and more. SmartRack kills the heat, weight, noise and cost of wall warts, while delivering power and data at peak efficiency over one cable. AES booth #143.www.mpathx.com

APC AV S20: Based on the award-winning APC S15, the S20 power conditioner with battery backup can be fully monitored and controlled over the Internet or via RS-232 port. Built-in environmental monitoring measures and reports ambient temperature (included) and humidity (sold separately). The S20 also features surge protection, isolated noise filtering, automatic voltage regulation and pure sine wave battery backup. A/V administrators now have an all-in-one, network-manageable power-protection system to ensure the availability of critical A/V components.www.apcav.com

EQUI=TECH ET20WQ: Equi=Tech introduces the company's latest version of large-scale balanced power products, the Model 20WQ, a 200-amp rated, all-in-one wall cabinet system for hard-wired AC installations. The product has double the capacity of any of the company's previous models, and features 20 branch circuits for wiring balanced AC into a studio or SR system. AES booth #1422.www.equitech.com

ACOUSTICAL MATERIALS

ACOUSTICAL SOLUTIONS SOUND BARRIER, ALPHARESILIENT ISOLATION CLIPS: AudioSeal Sound Barrier and AlphaResilient Isolation Clips are used for achieving high-STC ratings with new or existing wall or ceiling construction. Used together, the products can achieve a Sound Transmission Class 58. Clips typically required on only one side of an assembly. The AudioSeal Sound Barrier weighs 1 pound/square foot and is ?-inch thick. AES booth #717.www.acousticalsolutions.com

AURALEX ACOUSTICS SONOSUEDE PRO SYSTEM: Comprising four 16482-inch-thick, back-beveled panels and eight 16481-inch, rectangular, squared-edge panels, the SonoSuede Pro System is a cost-effective solution offering a multitude of decorative options. The system's unique mounting blocks provide superior acoustic and exceptional aesthetic benefits. The synthetic-suede fabric provides the acoustical transparency and visual allure critical in today's studio applications. Stock colors are available; custom colors available by special order. AES booth: #1605.www.auralex.com

BAG END E-TRAP: The E-trap is an active, electronic low-frequency acoustic absorber designed to be an alternative to traditional passive bass traps. The E-trap offers a precisely tunable tool to attack the very worst problems with a high degree of effectiveness in a fraction of the space (181310 feet). It also offers a practical, low-cost solution for existing rooms with problems and where room redesign or large passive absorbers are not viable options. AES booth #626.www.bagend.com

RPG ACOUSTICTOOL PACKAGES

RPG's new AcousticTool packages offer the project studio owner an affordable, aesthetic, fabric-finish, Class-A fire-rated, high-performance pre-engineered room treatment solution. The AcousticTool packages usher in a new era of versatility with the RPG Room Scaling Matrix, allowing users to quickly and easily configure their package to virtually any size room.

RPG STUDIO IN A BOX PACKAGES

RPG's new Studio In a Box packages offer the project studio owner a very affordable, expandable, aesthetic, Class-A or -B fire-rated, high-performance pre-engineered room treatment solution. The Studio In a Box packages usher in a new era of versatility with the RPG Room Scaling Matrix.www.rpginc.com

AUTOMATION, SYNC &CONTROL SYSTEMS

BRAINSTORM DCD-8: With the need for various rates and standards to interact, it is difficult to keep everything synchronized and locked. With 10 inputs/17 outputs, the DCD-8 offers exceptional stability and remarkable flexibility, it is ideal for most situations, whether you have a small sound studio or a large post-production facility with NTSC, PAL or HD systems. Clock generating, distributing, clean up, analyzing and format converting. AES booth #738.Dist. by Plus24www.plus24.net

DACS EIGHTCH: The Eightch is an 8-channel volume controller. Each channel has a trim pot with a range of around 12 dB. A single knob controls the master volume, and tracking is extremely accurate. The unit uses THAT's InGenius balanced input chip and 2181A trimmable VCAs. Specs: noise, -89 dB; THD @ 0 dB 0.0032%; crosstalk, -87 dB; TRS I/O. Price: $1,120. AES booth #1234.Dist. by Independent Audiowww.independentaudio.com

JLCOOPER ELECTRONICS ES-4/100 MIDI: ES 4/100 MIDI is our newest, low-cost Edit Suite Series (deep-profile) automation controller. It features four 100mm touch-sensitive, motorized faders, bank-shift buttons and function keys. Support for Pro Tools, Nuendo, Digital Performer and Logic via MIDI.

JLCOOPER ELECTRONICS FADERMASTER 4/100 USB: FaderMaster 4/100 automation controller features four 100mm touch-sensitive, motorized faders, bank-shift buttons and function keys. USB support has been added for Mac OS X systems, with custom software support for Pro Tools, DP, Final Cut Pro, Logic and other Mac OS X native apps.www.jlcooper.com

SPL VOLUME2, VOLUME8: These 2- and 8-channel monitor controllers are designed with active switching to prevent the disadvantages of passive circuitries that result in impedance variation and degraded linearity in frequency response. Volume2 features balanced XLR I/Os; Volume8 uses DB-25 connecters. Both units feature illuminated, passive mute switches. AES booth #1125.www.spl-usa.com

SYMETRIX LUCID GENX192: This advanced, affordable master clock is perfect for multitrack recording, mastering, on-air, DAW and desktop recording environments. Features jitter input filtering, drop-out protection, termination sensing, flexible format conversion, the world's easiest interface and the ability to output two simultaneous frequencies up to 192 kHz. All jitter is measurable, but the GENx192 will output a clean, ultralow-jitter, rock-solid clock.www.symetrixaudio.com

COMPUTER SOFTWARE & PERIPHERALS

URS CLASSIC CONSOLE STRIP PRO

The URS Classic Console Strip Pro is the ultimate in-the-box multiconsole mixing plug-in, offering near-zero latency, 48-bit double-precision processing. Features selectable palettes of input stage tape, tube and transformer colorations; several console EQs per band; and fully adjustable 1975 Classic Channel Compressor with quick preset starting points. Signal flow display indicates compressor path and status, LP/HP filters and EQ sections.www.ursplugins.com

ABLETON LIVE 6: Live 6 offers QuickTime video support, a professional multisample library and customizable racks of instruments and effects. Live 6 also delivers multicore support, enhanced project management tools and improved MIDI control.www.ableton.com

BIAS PEAK PRO 5 XT: BIAS Peak Pro XT 5 includes Peak Pro 5 (stereo audio editing, processing and mastering app for the Mac), SoundSoap and SoundSoap Pro restoration plug-ins, and the new Master Perfection Suite. Peak Pro 5 XT handles everything from serious sound design for film, video or multimedia, to rapid-fire broadcast editing, to music production and mastering. AES booth #134.www.bias-inc.com

CAKEWALK SONAR 6 PRODUCER EDITION: SONAR 6 Producer Edition takes you from inspiration to masterpiece faster than before. Change the way you work with instruments with SONAR 6's innovative new Active Controller Technology (ACT). Tighten up your entire band with the new AudioSnap feature set. And sound better with the new VC-64 Vintage Channel and SONAR's 64-bit double-precision mix engine. AES booth #1426.www.cakewalk.com

CENTRANCE IDEAL DRIVER: The Ideal Driver for FireWire audio interfaces features one-third of the latency and higher stability than drivers that typically ship with interfaces. The $39.95 Windows software is compatible with ASIO-2, GSIF-2 and MIDI applications, and supports audio at 16- or 24-bit and 44.1 through 192 kHz. It is compatible with most audio hardware, including Alesis, Apogee, Behringer, Focusrite, Mackie, M-Audio, PreSonus and Tascam; new support is added regularly. AES booth #1412.www.centrance.com

JLCOOPER MCS-3800 MAC OS X SOFTWARE: JlCooper releases Universal Binary versions of USB and Ethernet software for its MCS-3000 Series. Combined with either the USB Interface card or Ethernet card, you can control Mac OS X native A/V programs. Support for Final Cut Pro, Logic, Pro Tools, DP and custom keyset editor for other apps.www.jlcooper.com

MAGIX SAMPLITUDE 9: Samplitude 9 is setting new standards and was released in August 2006. AES booth: #1615.

MAGIX SEQUOIA 9: The high-definition digital recording/editing/mixing software for the PC, Sequoia 9 is setting new standards. Stop by our booth or visit our Website and preview the new version. AES booth: #1615.www.synthax.com

MAGMA EXPRESSCARD-TO-PCI EXPANSION

ExpressCard-to-PCI expansion chassis provides a simple solution for adding PCI cards to laptop computers through the ExpressCard slot on the new Apple MacBook Pro and many PC laptops. Practically any type of PCI card can be used in the Magma expansion chassis, ranging from audio processing, video capture, test and measurement, SCSI, SATA and more.

MAGMA PCI EXPRESS-TO-PCI EXPANSION

Our PCI expansion products provide an easy solution for adding PCI cards to PCI Express based computers, such as the Apple Mac Pro and G5 (PCIe). Magma can be upgraded to PCI Express. Purchase the Magma x1 PCI Express host card (Model PEHIFX1) for $299. This upgrade provides an easy migration path to new computers without replacing your valuable PCI hardware.www.magma.com

MINNETONKA SURCODE FOR DOLBY PRO LOGIC II: Audio professional everywhere can now encode 5.1 surround mixes into stereo sound files within Pro Tools. Surround ambiences, sound effects and music stems can be pre-encoded for delivery within stereo cues, and the resulting mix is stereo-compatible. Up to six channels are encoded into an Lt/Rt file. Encoded media is backward-compatible with Dolby Pro Logic receivers and decoders in use worldwide. AES booth #1540.www.minnetonkaaudio.com

MOTU DIGITAL PERFORMER 5.1: Digital Performer lets you record, edit, arrange, mix, process and master MIDI and audio tracks simultaneously to produce musical recordings, soundtracks for film and television, and other audio production tasks. Version 5 adds track folders, the unique Meter Bridge, new editing tools, QuickTime streamers and punches, and six new instrument plug-ins, including the analog-style BassLine bass synth, highly programmable two-oscillator Modulo, Model 12 12-part drum module and imaginative and powerful Proton FM synth.www.motu.com

NEXT GENERATION SOFTWARE NGWAVE V. 3.4: This fast, low-cost audio editor for Windows features support for WAV and MP3 files, full 24-bit/192 support, MIDI hardware control, integrated metronome, built-in audio mixer and more.www.ngwave.com

SIA SOFTWARE SMAARTLIVE V. 6: This significant update includes a host of new features and a reworked architecture that allows it to run native under Mac OS X and Windows from the same unified source code. In addition to its improved cross-platform functionality, V. 6 features a streamlined user interface and an advanced feature set. The improved environment enables users to dive deeper into the power of the software while preserving its renowned usability. AES booth #518.www.siasoft.com

SONIC STUDIO SOUNDBLADE: This host-based app for Mac OS delivers exceptional value for complete stereo production. Features Audio Units and VST plug-in support, unique four-point editing with EFM, instant PQ creation, delivery of background CD refs and DDP file sets, and optional restoration tools including NoNOISE. AES booth #1349.www.sonicstudio.com

STEINBERG MEDIA TECHNOLOGIES CUBASE 4: Cubase 4 is the next generation of Steinberg's legendary line of digital audio workstations. New technologies include VST3 and ASIO 3, new synth engines, a streamlined GUI, Yamaha hardware integration, and MediaBase content management and control room routing. Features include 34 new 64-bit plug-ins, new VST instruments with SoundFrame sound management, instrument tracks, track presets, configurable channel strip, mixer enhancements, notation enhancements, advanced real-time transpose and drag-and-drop inserts. AES booth #926.www.steinberg.net

STUDIO NETWORK SOLUTIONS POSTMAP: Indexing, enhanced metadata, workflow. Whether it's on your SAN, file server, a pile of FireWire drives or a stack of DVDs, locate the file you need instantly. Postmap includes a suite of customizable features that can address the needs of any creative workgroup large or small, local or remote, Mac or PC. AES booth #447.www.studionetworksolutions.com

SYNCHRO ARTS VOCALIGN PRO V. 4: Automatic audio alignment software (Audio Suite plug-in) is now available for Intel-based Macs. Demos and software updates that support Apple's new Intel-based iMac, MacBook Pro and Mac Mini computers are available from our Website. AES booth #826.

SYNCHRO ARTS VOCALIGN PROJECT: Automatic audio alignment software, VocALign Project for Pro Tools (Audio Suite) and VocALign Project (stand-alone) are now available for Intel-based Macs. Demos and software updates that support Apple's new Intel-based iMac, MacBook Pro and Mac Mini computers are available from our Website. AES booth #826.www.SynchroArts.com

THE SOUND GUY SFX MACHINE PRO 1.01: SFX Machine Pro lets you create your own audio effects from scratch. SFX Machine Pro comes with more than 300 effects and a preset editor that provides access to the underlying modular synthesis engine. The plug-in provides host tempo sync, and includes an output limiter, automated parameter control and a Randomize button.www.sfxmachine.com

VIRTUAL KATY VK 2.2: VK2 is the ultimate auto-conform and change management tool. VK2 allows users to analyze all major formats, preview changes, trace historical elements, rebalance movies and process up to 2,500 picture edits in less than a second. Packaged with all of the slick features Virtual Katy has to offer, Pro Tools users can use VK2's powerful management features for $995. AES booth #1515.

VIRTUAL KATY VK CONFORMER: Designed for conforming and non-destructively recompiling Pro Tools sessions, VK Conformer is cut from the original Virtual Katy software that was put to the test on Peter Jackson's The Lord of the Rings trilogy. Import an Avid change note or a CMX 3600 EDL, and conform your session to match the picture cut. Easy to use and fast. Price: $395 USD. AES booth #1515.www.virtualkaty.com

XO AUDIO XO WAVE: XO Wave not only brings RedBook CD mastering to Mac OS X, but also offers multitrack recording, editing and mixing; real-time effects (both built-in effects and Audio Units); real-time crossfades; 64-bit computation; effects automation; video sync; QuickTime export; support for ISRC, UPC and CD Text; and more. Price: XO Wave Open (Linux), free; XO Wave Free (Mac OS X), free; and XO Wave Pro (Mac OS X), $85.www.xowave.com

CONNECTIVITY

APHEX SYSTEMS MODEL 828 ANACONDA: This 6464 digital snake is the perfect interface for the Aphex 1788A preamp. Features include eight ADAT I/Os (64-channel bidirectional) and eight word clock outputs; internal precision word clock and external word clock reference input; Ethernet connector for control and metering; and completely redundant power supply and fiber systems. AES booth #813.www.aphex.com

GEFEN 41 DVI DL SWITCHER: The 41 DVI DL Switcher provides access to four PC and/or Mac computers using two dual-link DVI displays and USB 2 keyboard/mouse control. Ultrahigh-definition resolutions are supported up to 3,8402,400 on two parallel displays, providing the ultimate in integrated HD computer workstations. Video and control signals are switched for each computer upon selection using the IR or wired remote. RS-232 serial communications systems also supported. AES booth #1108.

GEFEN CAT5-7500 HD: The CAT5-7500 HD extender employs cutting-edge technologies that extend uncompressed DVI HD video over Cat-5 cables up to 150 feet. The plug-and-play sender/receiver system extends two DVI displays and computer keyboard/mouse away from the computer while sustaining HD video and USB 2 devices. RS-232 and audio components are also supported. This solution is tolerant of Cat-5 cable skew variations, able to supremely perform in patchbay scenarios and resistant to electromagnetic interference. AES booth #1108.www.gefen.com

HARRISON X-ROUTER DIGITAL AUDIO ROUTER: Harrison's Digital Audio X-Router features 1,5361,536 crosspoints with eight MADI I/Os and four Gigabit Ethernet I/O ports. It is a companion product to Harrison's X-Engine Native Engine DSP processors. These new X-Range system components dramatically reduce system costs while maintaining Harrison's no-compromise audio quality, scalability and long renewable life cycle. The X-Router and X-Engine processors will be provided with Harrison digital audio console systems. AES booth #941.www.harrisonconsoles.com

LINK HYBRID AUDIO AND DATA MULTIPAIR: Link's hybrid cables are designed for fixed installation and mobile applications and to facilitate audio drive rack and data signals. It features 12 and 24 individually jacketed shielded audio pairs with two integral Cat-5 UTP Ethernet cables for data and/or digital audio transmission. Each analog pair has two insulated twisted conductors, drain wire, aluminum/mylar foil shield and jacket. The Cat-5 has four data pairs (24AWG) and overall tape. Available in 1,000-foot lengths.www.linkusa-inc.com

NEUTRIK 4-POLE Y-SPLIT OPTICALCON: Neutrik's 4-pole Y-Split OpticalCon offers four multimode fibers within two OpticalCon connectors on each end of an assembled Y-split cable. Perfect for high-bandwidth audio and video or additional control signal transmission, Y-Split OpticalCon is an ideal solution when a two-fiber system is insufficient. The Y-Split has superior cable retention, features a push-pull locking mechanism and protects against dirt and dust via an automatically operated sealing cover. AES booth #1002.www.neutrikusa.com

RADIAL ENGINEERING JX44 AIR CONTROL: Remote-controllable signal distribution system for touring features four guitar inputs (two with Drag control, two with level trims), built-in JDI for re-amping or acoustic guitar, effects loop for local pedals, SGI transmit/receive loop for remote pedal board, tuner output, auxiliary output and four guitar amplifier outputs (isolated to eliminate ground loops), each with ground lift and 180-degree polarity-reverse. Should a wireless system go down, a Panic button re-routes guitar 1 input to amp 1 output. AES booth #1047.

RADIAL ENGINEERING SW8: A switcher for touring where backing tracks are employed and redundancy is required in case of system failure. Features two 8-input sets with -10dB, -inch jacks and +4dB balanced DB25s. Outputs are balanced +4 dB or isolated mic-level XLRs. Input set is selected via front panel switch or remote. Automatic signal detection monitors tone for signal loss and auto-switch to an alternate machine or contact closure to set off alarm. Link function allows multiple SW8s to be cascaded together. AES booth #1047.www.radialeng.com

DIGITAL CONVERTERS

FOCUSRITE SAFFIRE PRO 26 I/O: Combines eight Focusrite preamps with 16 channels of ADAT I/O and two channels of S/PDIF, offering 26 channels of simultaneous I/O. Saffire PRO also features two superchannels with instrument input and variable impedance, MIDI In/Out, and front panel level dim and mute controls. Also included is a free suite of Saffire VST/Audio Units plug-ins. AES booth #318.www.focusrite.com

GRACE DESIGN M802 A/D: The m802 A/D is a reference-quality, 24-bit/192kHz, 8-channel A/D card option for the m802 high-fidelity remote-controlled mic preamplifier. AES booth: #837.www.gracedesign.com

LYNX STUDIO LT-HD AURORA PRO TOOLS INTERFACE: The Lynx LT-HD L-Slot expansion card for Aurora 8/16 converters provides digital I/O in a format recognizable by Pro Tools HD systems. Connects to HD Core/Accel Core cards with standard Digidesign cabling. The LT-HD contains one primary and one expansion Digi-Link port for up to 32 channels of conversion per HD Core card with full channel count at sample rates up to 192 kHz. Control, monitoring and accurate delay compensation within Pro Tools. AES booth #1242.www.lynxstudio.com

NATIVE INSTRUMENTS AUDIO KONTROL 1

The new Audio Kontrol 1 is a high-end audio interface. Offering crystal-clear 192kHz/24-bit quality, it is far more than just a sound card. Freely assignable buttons and controller knob combined with advanced MIDI and key command functionality grant full control of software applications. Features high-quality AD/DA converters, 103dBA SNR ratio and four balanced outputs; Traktor DJ Studio Le, Guitar Combos and Xpress Keyboards included.www.native-instruments.com

RME ADI-8 QS: This fully featured, single-rackpsace, 8-channel, AD/DA converter combines excellent analog design with outstanding low-latency performance. Features SteadyClock, analog and digital limiters, four hardware reference levels up to +24 dBu, AES/EBU and ADAT I/O up to 192 kHz, optional MADI I/O, MIDI remote control, remote digital input trimming, remote volume control for all eight analog outs (separately, globally or ganged) and more. AES booth: #1615.www.synthax.com

SYMETRIX LUCID 88192: This audio converter supports eight channels of A/D and eight channels of D/A conversion at sampling frequencies up to 192 kHz. The multiformat unit offers simultaneous connectivity for analog, high-speed AES/EBU digital audio and SMUX2 ADAT optical digital audio. Option port for future expansion including 1394 (FireWire). Intuitive front panel display for menu-driven setup and active metering. Routing in groups of eight or pairs.www.symetrixaudio.com

LOUDSPEAKERS

LIPINSKI SOUND L-707, L-505 MONITORS

The level of detailis simply jaw-dropping. Joe Hannigan, Mix magazine. Best reproduction I've ever had in 40 years of putting together stereo systems! Bob Katz, Pro Audio Review. If more engineers were using monitors like these, there might be a lot less abuse inflicted on poor defenseless audio. Alan Silverman, Arf! Digital. Price: $4,590.www.lipinskisound.com

ADAM AUDIO A7: The A7 combines ADAM's A.R.T (Accelerated Ribbon Technology) folded-ribbon tweeter with a 6.5-inch carbon-fiber woofer, resulting in an extremely accurate monitor. Powered by two 50W amplifiers, the front panel features a power switch and detented volume knob, while the rear houses controls for tweeter, HF/LF shelving filters, and balanced (XLR) and unbalanced RCA connectors. Price: $999/pair. AES booth #642.

ADAM AUDIO SUB8: The Sub8 subwoofer is designed to extend the low end of any near-field monitoring system. It houses an 8-inch woofer with a large 50mm voice coil, and is driven by a 160W ICE power amp. The front baffle features two remote-controlled motorized knobs that allow the user to tailor level and crossover frequency without leaving the listening position. The unit also provides an onboard 2.1 bass-management system. AES booth #642.www.adam-audio.com

A-LINE ACOUSTICS EMMA-806A: Ideal for houses of worship, theaters and clubs, the easily portable EMMA-806A speaker modules can be combined, stacked or flown for powerful line array coverage over 250 feet. Each two-way enclosure is loaded with matched 6-inch LF drivers and 6-inch HF ribbon drivers for smooth, accurate frequency response and remarkable fidelity with wide, 100-degree dispersion. Constructed in DuraTex-coated birch plywood with integrated handles, EMMA is available powered with Bang & Olufsen ICEpower technology with onboard DSP.www.A-LineAcoustics.com

ATC SCM20SL: The SCM20SL loudspeakers represents ATC's first venture into the pro market with passive, affordable monitoring at $3,500 a pair. The units feature the same hybrid design incorporating a 150mm bass cone onto which is grafted a 75mm soft dome. The magnet assembly uses ATC's SL technology to reduce distortion. The SCM20SLs are packaged in a black wood box instead of a cast-aluminum housing for easy placement over a meter bridge. AES demo room #270.Dist. by TransAudio Groupwww.transaudiogroup.com/speakers.shtml

BAG END P-S21E-I: The P-S21E-I is the self-powered version of Bag End's compact, high-output S21E-I subwoofer system featuring a 21-inch driver and the Minima One II, the company's proprietary 1,000W high-efficiency power amp module. The unit, housed in a 24.524.520.5-inch (HWD) cabinet, is designed to be driven by Bag End's INFRA Series bass processors. The combination of driver, cabinet and processor design produces flat response down to 8 Hz. AES booth #626.www.bagend.com

BLUE SKY BIG BLUE: A Big Blue system partners three-way, tri-amplified SAT 12 satellites with a 1,000W SUB 15 Universal subwoofer to deliver full-range mid-field monitoring. The 500W SAT 12s use a 12-inch high-excursion hemispherical woofer, an ultralow-distortion 4-inch hemispherical midrange driver and a 1-inch dual-concentric diaphragm tweeter with integral wave guide for superior off-axis response. The SUB 15 Universal is a sealed-box design built around a massive 15-inch forward-firing driver. AES booth #1206.www.abluesky.com

DAS AUDIO VARIANT INSTALL ARRAY: The Variant Installation Array brings the unique advantages of the powered line array to the world's small- to mid-sized venues. The ultra-compact design provides systems designers with a product that offers high output and exceptional sound in an attractive and visually discrete package. The Variant Installation Array is ideal for use as a main system in theaters, houses of worship or corporate events. AES booth #1225.www.dasaudio.com

GENELEC AOW312: The AOW312 three-way active loudspeaker is designed for medium- to large-sized fixed commercial applications. Geared for on-wall mounting, its 12-inch woofer and side porting offers LF extension down to 35 Hz. Genelec's Directivity Control Waveguide technology provides extremely stable and accurate imaging and frequency balance. The AOW312, with its matched remote amplifier, produces peak SPL output of 124 dB. AES booth #426.www.genelecusa.com

HOSA TECHNOLOGY SESSION 5: Hosa will debut the first in its Session Series of digital near-field reference monitors. The Session 5 has a 5-inch woofer and a 1.5-inch tweeter. Its Binary Drive system provides digital bi-amplification with crossover in the digital domain and USB and RS-232 inputs for remote PC control of volume, and 6-band equalization. Audio inputs are S/PDIF coaxial or optical, and XLR/TRS/RCA analog. Retail: $799/pair. AES demo room #266.www.hosatech.com

JBL LSR4312SP: JBL LSR4312SP powered 12-inch subwoofer has 450W of power for surround sound production. The LSR4312SP provides five channels of bass management with variable crossover, plus analog and digital LFE inputs. When networked with LSR4326P and LSR4328P studio monitors, the subwoofer's internal RMC (Room Mode Correction) system is automatically calibrated to overcome LF anomalies in the room. All settings are remotely controlled from the mix position. AES booth #801.

JBL VT4887ADP: JBL Pro offers compact versions of its VerTec DP Series with JBL DrivePack technology. Modular, powered line array systems include onboard digital signal processing developed with Crown. VT4887ADP 28-inch full-range line array element and VT4881ADP single 18-inch subwoofer models are featured. These high-performance integrated systems are optionally available as networked models with DPAN (analog) or DPCN (digital) audio input modules, both compatible with HiQnet System Architect Software for remote control and monitoring capabilities. AES booth #801.www.jblpro.com

KLEIN + HUMMEL M 52: The M 52 active reference monitor for small studios, broadcast vans and other remote applications is extremely compact with a less than 55-inch footprint, housed entirely in aluminum. Flat frequency response, increased SPL output, magnetic shielding and switched AC/DC powering options. The M 52 D version adds a digital input and D/A converter. AES booth # 402.

KLEIN + HUMMEL O 300: Klein + Hummel's aim with the O 300 D was developing the world's finest compact active reference monitor, with accurate, uncolored sound, superb transient response and ideally shaped waveguides. The new O 300 tri-amplified, active, three-way studio reference monitor delivers the stunning quality of the O 300 D without the digital input and control hardware. AES booth # 402.www.klein-hummel.com

L-ACOUSTICS SB15P: The SB15P was designed as a companion reference sub for the 108P and 112P self-powered coaxial loudspeakers. Featuring a front-loaded, 15-inch transducer in an optimally sized/tuned vented enclosure, the SB15P combines the convenience of self-powered performance with the flexibility of digital signal processing. Ideal for portable SR, the SB15P provides plug-and-play operation and is equipped with a 1,000W Class-D topology amplifier module and dedicated onboard DSP with instant-recall, application-engineered presets. AES booth #442/demo room 254.www.l-acoustics.com

M&K SOUND MPS-1611P: Designed for state-of-the-art recording/mixing studios, the MPS-1611P is a self-powered bi-amplified precision near-field monitor suitable for a wide range of demanding and critical audio applications, including near-field music composition, recording and mixing, sound design, broadcast monitoring, voice-over booths and quality control.

M&K SOUND MPS-2910: The standard-setting compact sub, with a footprint of less than 1.5 square feet. M&K's exclusive Backfire Push-Pull design radiates the sound out of the back of the cabinet for pressure loading to the room. Features two newly designed 8-inch SuperFast long-throw magnetically shielded drivers and 150W continuous Class-A/B and all-discrete analog linear,. It comes in a studio black lacquer cabinet. Dimensions: 151810.75 inches (HWD). Weight: 46 pounds.www.mkprofessional.com

MEYER SOUND M'ELODIE: Meyer Sound's M'elodie ultracompact, high-power curvilinear array loudspeaker offers an exceptional power-to-size ratio and the signature sound and rigging of Meyer's MILO loudspeakers. A new 3-D acoustical prediction program based on the company's patented MAPP Online Pro software will also be previewed. AES booth #310.www.meyersound.com

NHTPRO M-60 XD: Now shipping, this integrated DSP-corrected/powered near/mid-field recording/mastering monitor features a two-way design with 6.5-inch magnesium-cone woofer and a 1-inch aluminum-dome tweeter. The system's outboard DSP/amplifier unit provides four 150W channels for bi-amplification and system correction/control. Inputs: XLR and RCA analog. Peak output: 112 dB SPL. Frequency response: 55 to 20k Hz, 0.5 dB. AES booth #1416.www.nhtpro.com

OCEAN WAY MONITOR SYSTEMS: Designed by Allen Sides, the new Ocean Way monitor systems are designed and built specifically for the room in which they will be placed. Any acoustic corrections needed to optimize that space are part of installation. We have three versions of our monitors from stand-alone to soffit-mounted to absolutely no limit. Hear what many industry pros believe are the best large monitoring systems in the world.www.oceanwayrecording.com

ON TRACK AUDIO MODEL NFR: These ultrahigh-fidelity, near-field studio monitors have a 29 to 27k Hz response (1.2 dB), weigh 40 pounds, handle 150W and are priced at $2,600/pair.

ON TRACK AUDIO MODEL 2: Model 2 is an 8-inch, three-way, ultrahigh-performance studio monitor loudspeaker.www.ontrackaudio.com

RENKUS-HEINZ ICONYX IC7 SERIES: Renkus-Heinz's IC7 self-powered and ICX7 non-powered Iconyx array systems are based on the Iconyx Digitally Steerable Arrays. The IC7 and ICX7 are passive arrays with mechanically steerable fixed beams. Both feature seven high-performance, 4-inch coaxial transducers in an architecturally transparent enclosure of 44.3755.6875.375 inches (HWD). These are perfect for venues needing side- and front-fill, or a low-cost short-throw solution. AES booth #720.www.renkus-heinz.com

SLS LOUDSPEAKERS RLA/4: The RLA/4 was developed for a wide range of applications, from permanent sound reinforcement installs to a pro portable P.A. system. Its HF section features a high-performance PRD500 planar ribbon transducer, whose unique design and properties allow precise acoustical coupling of the array and full utilization of line source (cylindrical waves) benefits. AES booth #942.www.slsaudio.com

TANNOY PRECISION IDP: Tannoy's iDP (Interactive Digital Programming) technology has now been incorporated within two new Precision monitors Precision 6iDP and 8iDP. These versatile and intelligent active monitoring systems bring together the unique Tannoy Dual Concentric and WideBand technology with the latest cutting-edge digital processing from TC Electronic.www.tannoy.com

TURBOSOUND ASPECT TA-500: The TA-500 is a three-way, full-range (60 to 18k Hz) speaker with patented Polyhorn design to provide wider dispersion characteristics of 5025 degrees (HV). Perfect for regional and theater tours and fixed installs, the unit features a Turbo-loaded 15-inch LF driver, a single 10-inch mid driver on a MF Polyhorn and a single HF driver on an HF Polyhorn. Similar voicing characteristics make the TA-500 easy to integrate with Aspect models. AES booth #402.www.turbosound.com

YAMAHA MSP7 STUDIO: Designed for accurate monitoring in project and recording studios, the MSP7 Studio powered monitor speaker features a magnetically shielded, 6.5-inch, lLF cone driver with a dedicated 80W amplifier and a magnetically shielded 1-inch, titanium-dome, high-frequency driver with a dedicated 50W amplifier. AES booths #102 and #926.www.yamaha.com

YORKVILLE U15P: The U15P uses a combination of amplifier topographies to ensure reliability and superior loudspeaker performance. Two Class-A/B amplifier modules deliver 150W each to the 1.75-inch horn driver and to three 5-inch ceramic drivers that make up the Unity horn assembly. An additional three-tier designed amplifier module delivers 600W to the 15-inch neodymium woofer. Integrated flypoints allow the U15P to be flown in multi-cabinet arrays or installations without modification.

YORKVILLE UCS1P: This active UCS1P subwoofer includes a 1,500W integrated power amplifier. The horn-loaded design and single 15-inch, long-excursion driver deliver ample low-end support. Features built-in crossover circuitry, 15mm 11-ply birch-plywood cabinet construction, metal grilles and integrated wheels/bar handles. XLR/TRS Combi jack inputs accept all line-level sources. Multiple UCS1Ps can be integrated using the XLR balanced throughput on each power module.www.yorkville.com

MICROPHONE PREAMPS

A-DESIGNS EM-GOLD: The EM-Gold is designed to bring more mids to the lower end of the sonic spectrum. It combines the output transformer of the EM-Silver (custom all-steel winding) and the input transformer of the EM-Red (custom winding with different ratio I/O). Well-suited for drum recording, various guitar, bass and vocal tracks. AES booths #1427 and #1322.www.adesignsaudio.com

AEA TRP (THE RIBBON PRE): Now shipping, this high-gain, dual-mono ribbon mic (no phantom) preamp offers 84 dB of quiet gain with mic and instrument inputs. Features +4dBu balanced/-10dBV unbalanced outputs; phase and highpass controls; LED level metering; half-rack chassis; and 9 to 12-volt AC or DC external supply. AES booth #1022.www.ribbonmics.com

API AUDIO APR A2D: The A2D digital converter features a pair of 312 discrete mic amplifiers combined with proprietary A/D converters in a 19-inch rackspace. Priced at $1,995, more than 200 units have been delivered since its May 1, 2006, introduction. AES booth #918.www.apiaudio.com

DW DRUMS/MAY IN EX: The MAY IN/EX blend module is a 2-in/1-out, high-headroom, Class-A mic preamp designed by PreSonus Audio. The module is designed to mix one internal snare mic and any external mic into one channel to achieve the ultimate tone for live performance and recording.www.dwdrums.com

GROOVE TUBES SUPRE: Stereo microphone and instrument preamplifier that uses a high-resolution tube signal path. Designed for tracking and stereo mastering. Features variable transformer impedance settings on each channel (300/600/1,200 ohms), four high-quality, nickel-core I/O transformers and 72 dB of gain on each channel using four specially selected GT pentode/triode dual-element vacuum tubes. AES booth #1505.www.groovetubes.com

MANLEY TNT: Here's a twist two different and discrepant mic pre's in one box for two different colors. One channel is the same mic pre found in our SLAM!, with tubes and transformers. The second preamp is a fresh no tubes design inspired by old British console preamps. With the Manley TNT, you'll have two qualified candidates in one chassis. AES booth #1302.www.manleylabs.com

MATRIX AUDIO SYSTEMS TO-2: The TO-2 two-rackspace, dual-channel preamp has all-discrete (no IC chips!) circuitry with transformer-balanced I/Os. Based on our all-discrete op amp, it comes with switchable 48V phantom power, pad and polarity inversion. It is not a vintage preamp clone; it has clarity and detail with that all-discrete, big and punchy sound. MSRP: $1,495.www.matrixaudiosystems.net

MERCURY GRAND PRE: Available in 1- and 2-channel versions, these preamps feature 0 to 60dB input gain control in 12dB steps, a 8dB fine-gain control, 48VDC phantom, polarity reverse, output control fader and a newly designed FET direct input. I/Os are balanced using the original Sowter transformers. Internal power supply uses a toroidal transformer and is regulated for superlow noise and stable performance. Each amplifier channel is locally regulated to eliminate crosstalk between channels. AES booth #1325.

MERCURY M72s/1: A single-channel version of our M72s, the M72s/1 offers a selectable -16/-28dB input pad, even handling line-level signals for a warm, rich path. Features 48VDC phantom, polarity reverse and direct input for bass/guitar. Our M72s/1 has the rich low/punchy mids of vintage V72 modules, but a more open high end. The preamp has that vintage tone and breaks up like the original modules, but is a bit more musical. AES booth #1325.www.MercuryRecordingEquipment.com

MILLENNIA MEDIA HDOE: The HV-3D output expansion option provides two additional buffered line-driver outputs for the HV-3D microphone preamplifier. It uses the same drive circuit design as the standard outputs. HDOE is capable of driving difficult loads, such as the hundreds of meters of cable typically found in remote situations. The additional outputs terminate on a pair of DB-25 connectors, providing three outputs per mic channel. The HDOE is a factory-installed option. AES booth #628.

MILLENNIA MEDIA HROE: The HV-3R output expansion option provides two additional buffered line-driver outputs for the HV-3R preamp. It uses the same drive circuit design as the standard outputs. This field-installable option is capable of driving difficult loads, such as the hundreds of meters of cable found in remote situations. Additional outputs terminate on a pair of DB-25 connectors, providing three outputs per mic channel. AES booth #628.

MILLENNIA MEDIA HV-3R: The HV-3R 8-channel, remote-controllable preamp employs the same HV-3 circuit found in the HV-3C and HV-3D. Gain control is achieved via ultra-quiet, high-performance 4th-generation relays employing gold-plated contacts rated at 50 million operations. MIDI and Ethernet are its primary remote protocols. The MIDI interface allows plug-and-play compatibility with Pro Tools systems. The Ethernet interface, coupled with Millennia's HV-3DR control software, offers a wide range of features unachievable with proprietary hardware. AES booth #628.www.mil-media.com

PRESONUS DIGIMAX FS: An 8-channel, Class-A mic pre with optical Lightpipe (ADAT/96k SMUX) I/O and work clock I/O. AES booth #432.

PRESONUS FIRESTUDIO: A 2626, 24-bit/96k FireWire recording system with eight preamps and ADAT/96k SMUX optical I/O, word clock output, 3618 matrix routing mixer, optional Monitor Station Remote, and recording and production software. AES booth #432.

PRESONUS FADERPORT: FaderPort is a USB controller designed to enhance creativity and enhance music creation. The FaderPort features a touch-sensitive, motorized fader for writing fades and automation. Additional features include PAN control, record-enable, solo, set and move to marker points, as well as toggle between the Mix, Edit and Transport windows. Compatible with both Mac and Windows systems, FaderPort works with all major DAW software, including Pro Tools, Nuendo, Cubase, Logic and more. AES booth #432.www.presonus.com

RME MICSTASY: The Micstacy features high-end converters and combines a number of RME features with groundbreaking innovations. With Micstasy, not only are conventional analog mic preamps and A/D converters a thing of the past, but a lot of applications will change. In short, Micstasy is the high-end, multi-analog input device for live, studio, installations and mobile recordings, and makes surround recordings a breeze. AES booth: #1615.www.synthax.com

SHADOW HILLS INDUSTRIES GOLDEN AGE MICROPHONE AMP

Made from the finest possible parts, Shadow Hill's GAMA 8-channel mic preamp uses switchable output transformers to shape any channel's characteristics with the flick of the switch. All preamps are based on all-discrete 24-volt op amps, and feature engraved panels, Bakelite knobs and detented switches for the same solid feel of the finest vintage gear. AES booth #1329.www.shadowhillsindustries.com

THERMIONIC EARLYBIRD 2.2: The hand-built Earlybird 2.2 stereo valve mic/line preamp has revised output transformers, selectable mid and bass EQ frequencies. The unit now boasts ultralow distortion, 0.007% @ 1 kHz and 115dB signal-to-noise. Onboard dedicated XLR inputs and front panel input selector for the optional Thermionic Culture Pullet stereo mini passive EQ are also included. AES booth #1134.www.thermionicculture.com

TOFT AUDIO DESIGNS AFC-2: The AFC-2 is a 1-unit, dual-channel EQ with mic preamps ideal for recording, mastering and sound reinforcement. With extremely musical 4-band EQ, the AFC-2 has balanced I/O, 48V phantom power and phase reverse. An attractive, sculpted and brushed-aluminum panel. AES booth #1411.www.toftaudio.com

TONELUX/GENEX 48-CHANNEL MIC PRE, A/D: Tonelux and Genex team up to release the remote-controlled Tonelux/Genex 48-channel mic pre, A/D converter in a 4U rackcase that can fit up to six cards with eight channels each of a combination of the standard mic pre, the Tonelux mic pre, the Genex reference mic pre or a D/A card. AES booth #532.www.tonelux.com

MICROPHONES

SE ELECTRONICS TITAN

sE Electronics' Titan is a tranformerless, multipattern, Class-A FET condenser. It uses the company's specially developed center-terminated titanium-diaphragm capsule, providing a frequency characteristic with enhanced clarity, detail and transient response. A better transient response means clear high frequencies with less distortion and a tighter LF response. Titan features a -10dB pad and LF roll-off switch, and is excellent for vocal recording, acoustic instruments, percussion and broadcast use. AES booth: #341.www.seelectronics.com

AKG PERCEPTION 400: Perception 400 is a multipattern, large-diaphragm condenser mic ideal for both studio and live sound applications. Features include two back-to-back capsules with gold-sputtered 1-inch diaphragms, offering selectable cardioid, omni and figure-8 patterns, along with switchable -10dB pad and bass-cut filter. The Perception 400 comes in a metal-framed carrying case with a screw-on, spider-type shockmount.www.akg.com

AUDIO-TECHNICA ARTIST SERIES: Audio-Technica has completely re-engineered its Artist Series line of live sound mics, adding innovative new models and upgrading classics for a complete selection of vocal, instrument and drum mics. Highlights include the ATM250DE, an affordable dual-element kick drum mic; the ATM450, an innovative side-address pencil condenser; and the ATM710, a durable cardioid condenser handheld tailored for high-fidelity vocal reproduction. The company also offers a generous selection of included accessories. AES booth #210.www.audio-technica.com

AUDIX VX-5 VOCAL MIC

This professional slim-line, 9 to 52V phantom-powered electret condenser vocal mic is aimed at the live performance and broadcast market. With a uniform frequency response of 40 to 18k Hz, the VX-5 features a 14mm gold-vapor diaphragm, a supercardioid polar pattern, bass roll-off filter, a specially ported steel mesh grille and Audix's trademark black-satin finish. Its -10dB pad enables the capsule to handle SPLs in excess of 140 dB.www.audixusa.com

BLUE MICROPHONES OMNI MOUSE: Using BLUE'S renowned B4 handbuilt spherical pure-pressure omni, Omni Mouse is designed for orchestration, Decca Tree, room tone and ambient recording. AES booth #1501.www.bluemic.com

CHARTEROAK ACOUSTICS M900: The new M900 transformerless small-diaphragm condenser mic uses the company's S-5 (cardioid), S-6 (hypercardioid) and S-7 (omni) capsule types. All three capsules are shipped with each M900 head amplifier and are easily interchangeable. The M900 has a two-step sensitivity switch (-10/-20 dB) and a two-position bass roll-off (-3dB/octave starting at 150 Hz; -6dB/octave starting at 75 Hz). The M900 ships in a flight case with windsock and mic clip, and include CharterOak's lifetime warranty. AES booth #236.www.charteroakacoustics.com

CROWLEY AND TRIPP RECORDIST ENSEMBLE STEREO: Crowley and Tripp's American-made Recordist and Recordist Ensemble Stereo kits are ideal for Blumlein configurations and diverse recording duties. The Recordist is priced at $1,295 each, and comes with its own rotary mount. The Recordist Ensemble Stereo kit comprises two matched Recordist ribbon microphones, extender bar and low-diffraction rotary mount at an introductory price of $1,995. Recordist mics have a three-year warranty, and come in an unobtrusive gunmetal grey finish. AES booth: #1431.www.soundwaveresearch.com

DPA BLM4060

With its elegant design and excellent performance, the BLM406 is the perfect microphone for speech and vocal sound reinforcement in boardrooms, courtrooms, classrooms and conference facilities. Featuring a built-in 4060 miniature microphone with omnidirectional polar pattern, it picks up speech with a clear, natural sound. The stainless-steel disc is four inches in diameter and is supplied with a detachable 10-foot cable and XLR adapter for phantom powering. AES booth #342.

DPA SMK4061: The SMK4061 stereo mic kit has been designed for live and recording applications, specifically for acoustic piano. Along with the two hand-selected 4061 mics come a variety of accessories for mounting, including both magnetic and adhesive mounts and a pair of boundary-layer mounts that allow for a range of nearly invisible mounting options. Lid up or closed, these mics will capture the instrument with musical accuracy and detail. AES booth #342.www.dpamicrophones.com

EQUATION AUDIO F.20

The Equation Audio F.20 features all-new, Equation-exclusive, advanced HR-2295, high-resolution head amp, a near 1-inch diameter (22mm) proprietary electret transducer and a new, exclusive multifaceted body and chassis design, performance beta tests have demonstrated it has extraordinary frequency response, robust ballistic capability and exceptionally low self-noise. Comes with large retro swivel-mount.www.equationaudio.com

GROOVE TUBES GT30: Studio condenser microphone. Medium-sized all-brass capsule, top-address design, interchangable capsules for multiple patterns (optional omni and supercardoid), -inch diameter, 6-micron evaporated-gold diaphragm, Class-A FET electronics, -15dB attenuation pad, 75Hz low-frequency roll-off switch. AES booth #1505.

GROOVE TUBES GT60: Studio condenser tube microphone. Large all-brass capsule, single-pattern side-address design, 1.1-inch diameter, 3-micron evaporated-gold diaphragm, full-frequency Disk Resonator technology, Class-A tube electronics, -10dB attenuation pad, 75Hz LF roll-off switch. (Also available as the model GT50, with Class-A FET electronics). AES booth #1505.www.groovetubes.com

HHB FLASHMIC DRM85: The HHB FlashMic is the world's first pro digital recording microphone. It combines a high-quality Sennheiser omnidirectional condenser capsule with an in-built, broadcast-quality Flash recorder. FlashMic is a convenient, easy-to-operate and durable recorder that's perfect for use in all voice recording applications, including press and broadcast journalism, radio interviewing, Podcasting, meetings, etc.Dist. by Sennheiserwww.sennheiserusa.com

HOLOPHONE H4 SUPERMINI: The breakthrough H4 SuperMINI delivers expansive 5.1-channel audio field capture in a supercompact package. The world's only surround microphone mountable on a professional-quality video camera. AES booth #1602.

HOLOPHONE H3-D: The H3-D delivers 5.1 discrete channels of crystal-clear sound ideal for pro audio, project studios, live music, educational and faith-based surround sound recordings. AES booth #1602.www.holophone.com

INNERTUBE AUDIO MM-2006: The MM-2006 condenser microphone replaces the MM-2000 in innerTube Audio's product line. The MM-2006 features a U.S.-made 1-inch sputtered-gold capsule; more extended high- and low-frequency response; nearly line-level output; a noise floor lower than most solid-state condenser mics; a unique tube preamp; and fully remote pattern control from omni through figure-8 to cardioid.www.innertubeaudio.com

LAUTEN AUDIO HORIZON: The Horizon tube microphone melds acoustic theory with vintage and cutting-edge technology. This microphone is unique in sound, components and industrial design. The Horizon is built with boutique-quality components serving high-end recording studios and home studios. The Horizon is proving to be extremely versatile, making it a true workhorse. AES booth #1107.www.lautenaudio.com

MOJAVE AUDIO MA-200: Having made custom condenser mics for top recording pros since 1985, David Royer's expertise is available to everyone with the MA-200 large-diaphragm tube mic. The MA-200 uses Jensen transformers, military-grade JAN 5840 tubes and hand-selected, 3-micron, gold-sputtered capsules for exceptional sound quality. It offers extended LF response, smooth mids and an open, airy top end. Includes shockmount, power supply, cable and heavy-duty flight case. AES booth #1332.www.mojaveaudio.com

NEUMANN KM D SERIES: Neumann's miniature KM D Series enters the digital realm with the KM 183 D, KM 184 D and KM 185 D. Featuring dynamic range far exceeding that of the capsule, internal A/D conversion allows optimal use of capsule qualities, ensuring that the capsule signal reaches the recording system without coloration and with matchless transparency. Two finishes are available: classic nickel and black Nextel. All standard sampling frequencies from 44.1 kHz to 192 kHz are supported. AES booth #402.

NEUMANN KMS 104: The Neumann KMS 104 handheld cardioid condenser stage microphone has been developed to permit optimal vocal transmission with the best possible suppression of sounds originating behind the microphone. The hypercardioid KMS 105 has become an internationally recognized standard in the field of high-quality stage microphones. Due to low self-noise and crosstalk behavior, which is free of coloration, both microphones are ideal for use with in-ear monitoring systems. AES booth #402.

NEUMANN TLM 49: The retro design of the TLM 49 gives an indication of its capabilities. The warm character of the sound provides richness and transparency, with no unpleasant overemphasis of high frequencies. The microphone employs the renowned K 47 capsule as featured in the M 49 and the U47. The TLM 49 is suitable for vocal and instrumental applications in professional production studios and demanding home recordings. It is supplied as a set with elastic suspension. AES booth #402.www.neumannusa.com

RED MICROPHONES TYPE A: This vacuum tube microphone system combines low noise and superb transient response, along with a choice of nine interchangeable capsules (the RedHeads). The transformerless, Class-A discrete amplifier circuit is a thoroughly modern design with a nod to the classic circuits of yesterday and uses a single hand-selected ECC88 vacuum tube. Included accessories: custom-built flight case, high-definition tube mic cable, shock-mount and innovative PowerStream power supply. AES booth #1509.www.vintagemicrophone.com

RDE NT55: The NT55 has the same sound quality, ease of use and reliability of the NT5, but with the added features of a two-stage highpass filter and a two-stage pad. RDE has also included a free NT45-O omni capsule in every NT55 kit. Along with the supplied NT45-C cardioid capsule, this makes the NT55 an unbeatable package for anyone wanting the most versatile small-capsule system on the market. AES booth #1141.

RDE PODCASTER: The world's first USB dynamic microphone specifically suited to Podcasting, the Podcaster features an end-address configuration, the clarity of RDE's tailored-for-voice frequency response, ultralow self-noise, a status LED and a direct output headphone amplifier (with volume control). The Podcaster comes with a 5-meter USB cable and clip. Optional extras include a shock-mounting system and soon-to-be-released adjustable table-mount arm. AES booth #1141.www.rodemic.com

ROYER R-122V: Finally shipping, Royer's long-awaited first vacuum tube ribbon mic is based on the same ribbon transducer technology as the acclaimed R-121 and R-122. However, the R-122V uses a triode-driven circuit to raise the mic's sensitivity to -29 dB. The mic is finished in 18-carat gold, and features a dedicated power supply and cable with military-grade locking-type XLR connectors, Jensen output transformer and proprietary toroidal mic transformer. AES booth #1332.www.royerlabs.com

SE ELECTRONICS REFLEXION FILTER: The Reflexion Filter is innovative, portable and versatile a truly unique device that uses state-of-the-art materials to provide acoustical isolation in any environment and improve the sound of acoustically treated rooms. It attaches to any microphone stand via a clamp fitting, and allows the microphone to be moved vertically and horizontally along the assembly. AES booth: #341.www.seelectronics.com

SENNHEISER EVOLUTION 602 II: Sennheiser's e602 II cardioid dynamic mic is the successor to the famed e602 and is designed for use with kick drums, bass guitar, cabs, tubas and other low-frequency instruments. More than 40% lighter than its predecessor, the e602 II features more robust, lightweight aluminum housing that allows for greater stability when positioning it on a long boom arm. A shock-mounted capsule offers fast attack with extended low-frequency response. AES booth #402.www.sennheiserusa.com

SHURE KSM9: The hard-wired version of the KSM9 wireless, the condenser KSM9 offers switch-selectable cardioid or supercardioid patterns. Response is 50 to 20k Hz; max SPL is 153 dB. Available in champagne or charcoal-gray finishes, it features a two-stage internal shock-mount, hardened-steel grille and gold-plated connectors. AES booth #302.www.shure.com

STUDIO PROJECTS B SERIES: All B Series Mics have been significantly upgraded. Housed in matte-silver bodies with a sleek new look, each mic has a stylish tri-color emblem. Features have been added in many cases, allowing for greater flexibility of configuration. A new headstock with a wider, heavier mesh grille, combined with improvements to the capsules and electronics, result in improved sonic characteristics. All B Series mics include elastic suspension and foam windscreens. AES booth #1411.

STUDIO PROJECTS C SERIES: All C Series mics have undergone a significant upgrade. Updates include a sleek new look and a redesigned headstock. Changes to the capsule design and electronics allow for lower self-noise, greater dynamic range and improved sonic characteristics. In many cases, features have been added, such as additional pad and highpass filter settings, resulting in a greater number of possible configurations. All C Series mics include the new Halo elastic suspension, foam windscreen and flight case. AES booth #1411.www.studioprojects.com

SUPERLUX S241/U3: The new Superlux S241/U3 is a true capacitor cardioid condenser microphone with a -inch gold-evaporated 3-micron diaphragm. It features a 0/-10/-20dB position attenuation switch and a flat, 75Hz and 150Hz position low-cut filter switch. The S214/U3 has an extended frequency response, superior signal-to-noise ratio and excellent SPL characteristics. The slight high-end elevation frequency response makes it ideal for capturing signals rich in transients in a wide variety of applications.www.avlex.com

MIXING CONSOLES

ALLEN & HEATH GL2800M: The critically acclaimed GL Series has expanded with the addition of the GL2800M, a dedicated monitor console offering 16 mixes for wedges and in-ears. The GL2800M can mix up to eight stereo IEMs or any combination of wedges and in-ears with mono/stereo assignment per mix. PAFL Logic includes PFL override AFL, stereo AFL and PFL-to-wedge capabilities. Other features include four mute groups and built-in mic splitter with ground-lift switching. AES booth #318.

ALLEN & HEATH XONE:3D: Allen & Heath introduces the XONE:3D, a revolutionary performance DJ controller that seamlessly integrates computer-based software and digital media into the traditional DJ workspace. The XONE:3D combines a fully featured, professional analog DJ mixer based on the XONE:92 with a comprehensive MIDI control system and a high-end multichannel USB soundcard.www.AmericanMusicAndSound.com

ALTO GHIBLI16FX: Alto's new Ghibli mixer sets a new precedent in small-format mixer design. Its 1181-inch chassis offers 16 channels of mixing capability. Four microphone inputs offer three bands of parametric EQ with a mid sweep, a selectable preset compressor/de-esser and 100Hz rumble filter. Sixteen preset 24-bit DSP, which includes variable reverb, round out the feature set. The GHIBLI16FX has a retail of $189 and is available from The Yorkville Group.www.altopa.com

AMS NEVE DFC PS/1 POWERSTATION: The DFC PS/1 PowerStation features unbeatable Neve sound, sample rates up to superhigh-definition 384kHz, Star Command simultaneous control of multiple workstations, high-resolution TFT metering, 384 fader paths, reconform from picture change lists and insertion of premixes into larger mixes. PS/1 is a complete system with integrated surround monitoring and machine control. The DFC Gemini and PS/1 are the power behind world cinema. AES booth #438.www.ams-neve.com

APB-DYNASONICS MIXSWITCH: MixSwitch provides the ability to easily switch between primary digital or analog and a backup console, or between headliner and opening act consoles in concert/presentation situations (in Switch mode or Sum mode). In club applications, it allows selecting between front-of-house and DJ mixers into common audio systems. MixSwitch will be available in the 4th quarter of 2006. AES booth #1442.www.apb-dynasonics.com

ARGOSY MIRAGE FOR SSL AWS 900+: Argosy's Mirage furniture housing will transform your SSL AWS 900+. Phil Wagner, president of Solid State Logic, says, I like what the Argosy Mirage does for the AWS 900+; it really looks great. The Mirage gives you ideal ergonomics. It has all the right features perfect for integrating additional SSL signal processing equipment at arms length. Designed for the AWS 900+, the Argosy Mirage furniture solution creates a powerful presence in the heart of your control room. Price: $4,995.www.ArgosyConsole.com

CADAC S-DIGITAL: Reflecting Cadac's 20-plus-year history, the S-Digital features a surface architecture derived from the Cadac J-Type analog console. With key audio and control parameters accessible in under a button press, the Cadac S-Digital combines instant usability and familiarity with other Cadac hallmarks: superb sound, build quality, reliability and unrivaled return on investment. The S-Digital enters production in October, in a 72/64 base configuration.www.cadac-sound.com

DAN DUGAN SOUND DESIGN MODEL E: The Model E is a half-rack, 1U-high Dugan automatic mic mixer with minimal controls. Speech system performance matches the D Series. Additional controls are available via an embedded Web server. I/O is connected by TRS insert cables or ADAT optical cables. Can be linked for up to 64 inputs (analog I/O only), and it can link with Models D-2 and D-3. Power is 9 to 24 VDC, or 9 to 18 VAC. AES booth #1119.www.dandugan.com

DANGEROUS MUSIC D-BOX: Featuring eight channels of Dangerous Music analog summing technology, D-Box is also equipped with a programmable monitor control section with two speaker outputs, two digital inputs with onboard D/A conversion for digital sources, talkback, two headphone outputs and an aux analog input. D-Box's programmability allows simultaneous monitoring of multiple input sources and level offsets. AES booth #1335.www.dangerousmusic.com

DIGICO V. 4 SOFTWARE: To evaluate the much-awaited V. 4 software update for our digital consoles, come by our stand, booth #1202.www.digico.org

DIGIDESIGN VENUE UPGRADES: New are Digital Stage Input (DSI) and Digital Stage Output (DSO) card options for VENUE. A single DSI provides eight channels of digital input for the VENUE Stage Rack, either through four AES/EBU pairs or a single ADAT interface. One DSO card offers eight AES/EBU output channels and ADAT Lightpipe, with both active at all times for simplified simultaneous splits to recording/monitoring/broadcast feeds. AES booth #826.www.digidesign.com

EUPHONIX SYSTEM 5-MC: The System 5-MC is a DAW controller based on the Euphonix System 5 control surface design. System 5-MC tightly integrates vi


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